For example, you might play the melody with an underlying major chord … 32, they usually function as passing or neighbor embellishments to other harmonies. Remember, scales extend to the 13th degree, so you have the 9th, 11th and 13th degree notes as well to experiment with. Forum List Message List New Topic. Augmented triads usually supply a dominant function (primary or secondary). AP Music Theory: Exam Prep ... One of these is an embellishing tone, a note added to ornament the harmonic progression of chords. Embellishing chords. The vi chord is a root-position chord, but still an embellishing chord, while the ii 6 is an inverted chord, but still a functional/cadential chord. guitar, bass & music theory lessons, session musician training, online music lessons, southwell, newark-on-trent, nottingham, mansfield, Lincoln, Notts Protected: embellishing chords This … Replacing or adding any note with another note from the particular scale will sound good. Step wise ascent or descent from a chord tone followed by a balancing motion to the opposite neighbor and return to initial chord tone. The typical figure is chord tone – passing tone – chord tone, filling in a third (see example), but two adjacent passing tones can also be used to fill in the space between two chord tones a fourth apart. October 25, 2011 11:45PM : Moderator IP/Host: Moderator Registered: 11 … Embellishing any open chord is easy if you know your basic chord theory and your scales. Embellishing Harmony. Advanced. An interesting way of embellishing the phrase is by changing the chord progression. Home > Music Theory Questions and Answers > Topic . October 25, 2011 11:02PM ... Embellishing chords. In contrast, the entire tonic-prolongation zone is made up of contrapuntal chords — variable scale degrees in the bass — with the exception of the I chord that triggered the tonic function. Embellishing Tones. Chord symbols (Lesson 47: Non-Root-Bass Chords) The major pentatonic scale ( Lesson 43: Pentatonic Scales ) Embellishing tones are non-chord tones (notes that aren't in the chord that's playing at that moment) which are inserted between the anchor notes in a melody. Posted by J-Man . As described by Gauldin in Ch. The lesson could not be displayed because JavaScript is disabled. As discussed in *How to Harmonize a Melody, the harmony plays an important role in setting the mood for the composition. The 3-Semester Music Theory Course for Earlham College (in development) Embellishing Tones . Chromatic embellishing chords are by definition never essential harmonies. J-Man. Types Augmented Triads. Embellishing chords. Much is made in theory text books about non-harmonic tones, or (worse) non-essential tones, as they are traditionally called. 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